Carving a Snow goose Kuksa...

Well now I've sharpened up my edge tools using the clay shale I found earlier this month I figured it might be a good idea to share some more Kuksa carving techniques.

I have recently added another edge tool to my arsenal, an adze.

Using the Adze will speed up my carving process, but I can still carve this kuksa using my hook knife only.

So I picked a nice billet of Birch and split it through, tapering both ends with my Roselli axe.

I turned the billet over and chopped out two large notches.

It now looked like a rough 'W' shape.

At this stage I bought out the knife and gave the blank a slight fettle so I could get a feel of its final shape.

And then the Adze...

With the Adze I removed most of the bowl.

Not a bad job. I'll have to finish it with the hook knife later.

Now it's down to some careful knife work.

That was about it for the first session.

The next morning I finished off the knife-work and applied some Tung oil.

Dolly lent a hand...

Now for some detail to bring the Goose to life...

Chip carved eyes, and a a little flame will get the magic flowing.

She's done !

I think she's FAB !

This was one of my most memorable carvings. I can't tell you how much I enjoyed carving the

 'Snow Goose'

Enjoy...

J;-)

Flint and steel...

 

I've been busy.

Just as well I have been using  my new Adze as I was given a bit of a challenge from a friend of mine who is studying for her degree in archaeology.

A week or so ago she asked if I could help out with some living archaeology. 

Lucy had been tasked by Professor Bradley to knap a flint adze and use it to make a wooden object.

 

Well, as promised, Lucy arrived at my home last week with a Hassochs flint adze she had made at Exeter university. 

Lucy knapped a Bur flint adze head, wrapped it with a little piece of leather, and bound it, with raw hide, onto a piece of seasoned Silver Birch. 

The flint head is described as uni-facial, whereby small flakes are removed at an acute angle with a hard hammer stone to reveal a strong, sharp working edge.

Little is known about the type of work for which this tool was used, as nothing much remains in the historical record.

 

We decided to experiment by hollowing out a short split billet of Birch. Whilst we were adzing away we discussed what might have been made with a tool such as this. Items came to mind as we worked.

Vessels for processing food, mortar and pestle, perhaps Kuksa, all sorts of things were discussed.

Apparently this type of tool pre-dates flint axe heads. It occurred to me that you could still fell a reasonably sized tree, by chopping round the tree beaver style.

Well I showed Lucy how to use the adze and set her on her way. With a lazy chopping action, being careful not to force the adze, it was surprising how efficient the flint was at removing waste wood. 

The small curled shavings it removed were not as clean or as large as a modern metal adze would produce, but it was surprising how speedy the whole process was.

We cut from each end of the billet into the middle, and then cleaned up the collected curls of wood and started over.

We got a fair way into the bowl before I ran out of time for the day.

Lucy has taken the bowl back to the university so she can finish the job.

As you can see, the flint head is held on by a small pad of leather and a binding of pig raw hide.

We used the adze for two or three hours, I was quite surprised that the flint lost little of it's keen edge.

Lucy also bought me a gift made by professor Bruce Bradley.

It's a beautifully crafted adze head he knapped from a piece of green sand churt.

He has made it in the same style, uni-facial.

I will investigate as to what type of woods were available at the time these tools were in use, and select a good shaped helve onto which I can bind my flint head.

In the mean time I will carry on with my Gransfors Bruks gutter adze...

Once Lucy has finished her bowl I will ask her for some photographs for a future blog.

Enjoy...

J

Rainy day char cloth.

Well.

First of all I would like to wish you all a happy and prosperous new year.

I've been spending my time since the festivities practising and adapting my spoon making techniques. I have been making Nordic style spoons and large serving spoons.

I wanted to increase my speed in manufacture, out of curiosity mainly.

I have been using my new Adze to great effect hollowing the bowls of the serving spoons in particular.

The Birch I was using was quite twisty and full of burs and knots, not at all suitable for highly finished treen.

So fun and experimentation has been the order of the day.

I'll write a tutorial on the Nordic spoons later in the month.

I had a visit from a friend of mine who is studying ancient cultures.

Lucy has recently returned from a dig out in Texas and is keen on carrying out some hands on experiments with stone tools.

Next week we will take a length of Birch, and using fire, shorten it to a length suitable for a long bowl, much like a sour dough bowl, long and shallow.

Her professor will make up some late stone age flint tools, an adze and blades.

With these tools we shall see what can be carved and how.

I am going to have to set a good fire on Monday morning.

I want to use a technique that I have not tried before.

Flint and steel...

Although this technique has nothing to do with the time period we are studying, it is a technique that I have not used before.

To coax a relatively cool spark from the steel into life, I will need something called char cloth.

I ripped my knee through my best (100%) cotton trousers last week, so I have an abundance of suitable material to make plenty of charred cloth.

The weather is pretty grim at the moment, so instead of using a conventional fire out doors, I decided to process the cotton in the firebox of my old range.

I needed a tin, with a removable press lid.

Sarah has been baking cakes so a syrup tin became available.

You can see the light coloured cloth under the lid.

I popped a small hole in the lid and carved a stick that plugged the hole...

I took the stick out and kept it handy for the latter part of the process.

I then rolled the cloth up and popped it in the tin.

I put the lid on nice and tight and made sure there was a pair of pliers handy to remove the hot tin from the fire later...

I put the tin in the hot embers.

Very soon smoke poured out of the small hole...

Increasing....

And then dying away and finally stopping.

Once the smoke had stopped I removed the tin with the pliers and sealed the hole with the wooden plug...

I let the tin cool.

Then removed the lid....

Char cloth.

So, a quick rummage in my bits and pieces draw resulted in a steel, a piece of flint and some Daldinia concentrica...

I placed a small piece of char cloth on top of the flint and started striking it with the steel, producing small clusters of spark...

After a few strikes the char cloth started to glow, it had caught a spark.

I put the glowing cloth onto the fungi and nurtured the ember...

The fungi easily took the small char cloth ember and started smouldering much like charcoal...

Come Monday I will ignite some char cloth, pop it into a piece of  Daldinia concentrica and add it to a tinder bundle with which I can light my fire.

I'll keep you posted on how we get on with the experimental archaeology...

I must take the opportunity to thank Chris Grant for making the 'J' shaped steel striker and my MaChris knives.

Enjoy...

Jx